![]() ![]() “Maybe I’ll use your ghost on the trail,” he recalls saying toĭern as they ad-libbed ten to twelve shots throughout the shoot that appear in On the PCT, and he invited her to film some material while they waited for Life when Dern came for a make-up test while he was shooting with Witherspoon In fact, he recalls that he and Dern first brought Bobbi to Vallée adds that the improvisation with Dern came naturallyĭuring the shoot. “How wild it was to let itīe,” Vallée quotes from Strayed’s memoir as he lets her words echo the The lyrics don’t appear in Wild instead, the music situatesĬheryl’s own words within her cinematic journey. Pre-existing music in lieu of a conventional score. Which it stops during the film, astutely notes that Strayed’s mind and memories create the Vallée, after he stops the track at the precise second at Cheryl can’t turn on an iPod sinceĪdmits a dislike for instrumental scores that might otherwise bridge silence inĪ film. Injecting Simon and Garfunkel into the film. The Pacific Crest Trail that houses the bulk of Wild is a tricky task, for few, if any, diegetic sources exist for How one introduces music in a film with as natural a setting as Question, or experience, that everyone at the table clearly wants to savour. The character of a soundtrack is a hallmark of a Vallée filmĪnd the director himself sets the tone for the discussion by opening with a Vallée at the TIFF Wild press conference. ![]()
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